Morphogenic Movements, is a series of three real-time generative animations which transform the Novartis Pavillon media façade into a self-organising system. Through the generation of cell-like forms which emerge from visual noise, the artwork explores self-organisation as a contemporary scientific method for understanding complex systems as coherent wholes.
Self-organisation refers to the emergence of an overall order in time and space of a given system, that results from the collective interactions of its individual components. This concept has been widely recognized as a core principle in pattern formation for multi-component systems of the physical, chemical and biological world, from galaxies to living cells. Historically much of the success of the sciences has relied on a reductionist approach, in which complex systems are taken apart to examine the individual components and how they interact.
By employing algorithms which generate noise and feedback loops, the real-time animations simulate conditions associated with naturally occurring self-organising systems. Within this ‘environment’ we have encouraged the manifestation of properties observed in the dynamic evolution of these systems, such as spontaneous formation of patterns, unpredictability, waves and oscillations, so that the way the forms move, evolve and interact, feels organic, constantly shifting and mutating. Through the correlations and fluctuations of these processes order emerges from chaos, in the form of cell-like patterns, which are observed in many underlying structures of the natural physical world, particularly in biological life-forms.
Morphogenic Movements was commissioned for the Novartis Pavillon zero energy media façade. The façade is made from a network of 30,000 LED cores, powered by 10,000 energy-generating solar panels that light up at night.
The Novartis Pavillon is a learning, event and exhibition space in Basel on the Novartis campus, and is the first building on the site that is open to the public.
Commissioned by Novartis. Curated by Sabine Himmelsbach, HEK Basel.
Media Façade designed by iart with AMDL Circle.