artworks

HALO 0.1 / 0.2 / 0.3

HALO 0.1 / 0.2 / 0.3, 2021

2018
x3 CG animations on square screens, silent
A Semiconductor work by Ruth Jarman and Joe Gerhardt.

Three animations made with raw data from the ATLAS detector at CERN particle physics laboratory, Geneva, Switzerland. Removed from its scientific framework, the data becomes a physical form in its own right, something to explore as an artistic medium. Each animation offers a different perspective of the data, presented on custom made square screens.

Where Shapes Come From

Where Shapes Come From (still), 2016

2016
9:00 / 9:50
two channel HD + single channel HD
A Semiconductor work by Ruth Jarman and Joe Gerhardt.

Where Shapes Comes From is a moving image work which considers how science translates nature, on an atomic scale.

Filmed in the mineral sciences laboratory at the Smithsonian Museum of Natural History, a scientist goes about his daily work in rock and mineral preparatory labs; cutting up large meteorites and preparing mineral samples for scientific study. Accompanying this, mineralogist Jeff Post describes the coming together of atoms to form matter. He details formations of organised structures and patterns as if they are happening in real-time, in front of our eyes, transcending time and space.

Raw seismic data, collected from the land forming Mariana deep sea trench, has been converted directly into sound and controls computer generated animations, which are composited into the labs. They depict interpretations of visual scientific forms associated with atomic structures, and the technologies which capture them. Sitting alongside these animated formations are hand-made assemblages of discarded materials and other curiosities, which now bear human signatures. They unite in bringing a sense of playfulness and personal touch to the ordinarily rigorous framework of science.By combining these scientific processes, languages and products associated with matter formation in the context of the everyday, they become fantastical and strange encouraging us to consider how science translates nature and question our experiences of the physical world.

Filmed at the Mineral Sciences Laboratory, Smithsonian National Museum of Natural History, Washington D.C. during its 100th year.
Audio made from Mariana Trench seismic data courtesy of the IRIS (Incorporated Research Institutions for Seismology) Network.
Dialogue: Jeffrey E. Post, Geologist, Curator in Charge, Mineral Collection, Smithsonian National Museum of Natural History, Washington D.C., U.S.A.
Scientist: Jonathon Cooper

Supported by Arts Council England.
Co-commissioned by EDP Foundation and Phoenix Leicester.
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Earthworks

Documentation of Earthworks at SonarPLANTA, 2016

2016
5 channel computer generated animation with 4 channel surround sound
A Semiconductor work by Ruth Jarman and Joe Gerhardt.

Watch a film where Semiconductor discuss the ideas and processes behind Earthworks here (made by Tom Thistlethwaite/Fabrica Brighton): https://www.youtube.com/watch?v=xkg38zms44Q&t=255s

Watch Semiconductor in Conversation with Laura McDermott, Creative Director of Attenborough Centre of the Creative Arts, on the occasion of Earthworks at Fabrica, solo exhibition, 2020

Earthworks is a five channel computer generated animation, which creates an immersive experience of the phenomena of landscape formation through the scientific and technological devices that are used to study it.  Masses of colourful layers are animated by the sound-scapes of earthquake, volcanic, glacial and human activity, recorded as seismic waves, which form spectacular fluctuating marbled waveforms.

Semiconductor have employed the scientific technique of Analogue Modelling, which uses layers of real world multi-coloured particles and application of pressure and motion to simulate tectonic and seismic forces. As the layers become deformed they reproduce the generation and evolution of landscapes in nature over thousands of years, revealing them to be in a constant state of flux.

Semiconductor have acquired seismic data captured as a result of land shifting and forming, from all over the world. There are four distinct sections to the work, each using a different set of seismic data. This includes; glacial, earthquake, volcano and human-made seismic activity captured at La Planta quarry, Spain, to represent the Anthropocene, a new geological era influenced by humans. The data has been translated to audio to form the soundtrack of the work, and simultaneously control the animation of the layers. The data as sound directly sculpts the image, re-animates the landscape, and reflects the symbiotic relationship between landscape formation and seismic vibrations. The seismic audio is rich and full of the intricacies of the dynamics of our planet in motion.

By using seismic data to control the masses of layers Semiconductor are not only playing with the idea that it is these forces that have shaped landscapes, but also that being an event that occurs beyond a human-time frame, landscape formation can only be experienced through scientific technological mediation of nature. It produces information about time, space and phenomena that no human consciousness could possibly have witnessed. It is as if we are watching hundreds of thousands of years played out in front of our eyes, enabling us to bear witness to events which ordinarily occur on geological time-frames.

By adopting the analogue modelling techniques, the work celebrates the revelatory capacities of modern science and technologies to create a kind of technological sublime, whilst simultaneously inviting viewers to consider the philosophical problems posed by such technologically mediated observations of imperceptible phenomena.

Earthworks is commissioned by SónarPLANTA
Produced by Advanced Music

Thanks to:
Fundació Sorigué
Sónar Festival/Advanced Music
Nigel Bax

University of Barcelona:
Dr Albert Casas Ponsati
Raul Lovera Carrasco
Mahjoub Himi Benomar
Dr. Josep Anton Muñoz
Oriol Ferrer

Cai Matthews
Jose Luis de Vicente
Salvador Rey Nagel

Seismic data courtesy of the Iris (Incorporated Research Institutions for Seismology) Consortium

Earthworks, Fabrica, Brighton, solo show, 2020. Photo: Fabrica/Tom Thistlethwaite

 

Film by Semiconductor documenting the making of Earthworks

The Shaping Grows

The Shaping Grows by Semiconductor for Swarovski, image David Levene. Installation view at the Design Museum, London, 2012

2012
03.00 minute loop
4 channel HD + 4 channel audio
A Semiconductor work by Ruth Jarman and Joe Gerhardt.

The Shaping Grows is a computer generated animation of a subterranean cavern, brought to life through seismic data. Fantastical mineral crystals chaotically emerge and evolve according to the natural resonance of our shifting planet. These manifestations reveal atomic structures in their rawest form providing a window into the make-up of the physical world, where simple shapes come together to create intricate and complex formations. Here, Semiconductor draw a parallel between these basic molecular structures and the building blocks of the digital world, a world which has become the prism through which we increasingly experience reality.

The animation spans multiple time frames condensing geological events and processes through time-lapse techniques, allowing us to bear witness to mineral crystal growth patterns and the traces they leave behind. Mineral crystals can become consumed by larger formations or play host to wildly different structures, as physical conditions change over time and favour certain elemental and chemical reactions. Matter can also become trapped inside formations as they grow, creating ‘inclusions’. The resulting objects store the memory of their making and can be read to learn the story of their evolution and the conditions in which they grew.

Semiconductor have collected seismic data of recent earthquake activity from around the world and converted it into sound. This directly animates and controls the formations and provides a sound-scape of the Earth in a state of flux.

Commissioned by Swarovski for the exhibition Digital Crystal at the Design Museum, London.

Worlds in the Making

Worlds in the Making, FACT (Foundation for Art and Creative Technology), Liverpool, UK, 2011. Photo: Brian Slater

2011
23.00 minutes
3 channel HD
A Semiconductor work by Ruth Jarman and Joe Gerhardt.

Worlds in the Making is an epic three channel moving image work that explores how we observe, experience and create an understanding of the physical origins of the world around us. By appropriating the tools and processes of volcanology to re-interpret the primordial landscapes of our volcanic planet, Semiconductor create a world slightly removed from the one we think we know, disrupting our every day assumptions of reality and questioning how science affects our experience of the natural world.

In the work the use of audio investigates our relationship with the physical, scientific and ephemeral nature of sound. Seismic data collected from beneath volcanoes and translated into audio evokes images of rocks crunching and grinding below the Earth and is used as a sculptural tool to generate elaborate CG animations of matter forming as mineral crystals. A scientist’s dialogue appears to guide us through extraordinary landscapes while Oren Ambarchi’s composition overwhelms as it brings an emotional connection to place.

The viewer is transported through dystopian landscapes, strangely exquisite animations, fantastical vistas, and natural phenomena to a world between science fiction and science fact.

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Commissioned by Jacqui Davies and FACT, Foundation for Art and Creative Technology.Supported by Arts Council England. Gulbenkian Galapagos Artists Fellowship. Smithsonian Artists Research Fellowship.

Credits:

Music by Oren Ambarchi – Published by Touch Music (MCPS)
Richard S. Fiske – Smithsonian National Museum of Natural History, Mineral Sciences Department: for his oratory skills, field notes and methodical tephra sorting.
Ellen Thurneau – Smithsonian National Museum of Natural History, Mineral Sciences Department.
William G. Melson – Smithsonian National Museum of Natural History, Mineral Sciences Department: for his audio recordings of Arenal Volcano, Costa Rica erupting.
Jonathan M. Lees, Professor of Geological Sciences, University of North Carolina at Chapel Hill, USA. For his seismic data collected at Tungurahua volcano, Ecuador which features in the work..
Gregory P. Waite, Assistant Professor of Geophysics, Michigan Technological University, USA. For his seismic data from Fuego Volcano, Guatemala and Mount St. Helens, Washington, USA.
Jorge Ordonez at Instituto Geofisico, Quito Ecuador
Adam and Miriam at Instituto Geofisico, Quito Ecuador
Global Volcanism Program, Smithsonian National Museum of Natural History
Dennis Geist, Professor of Geology at the University of Idaho, USA
Gorki Ruiz at Instituto Geofisico, Quito Ecuador
Instituto Geofisico Volcano Observatory, Tungurahua, Ecuador
Scientific paper: Liquid Sulfur at Volcan Azufre, Galapagos Islands by W.E. Colony and Bert E. Nordle, 1973. Charles Darwin Research Station Library, Santa Cruz, Galapagos, Ecuador.
Produced by Jacqui Davies.

preview of Worlds in the Making installation – to watch HD full screen double-click the image

 

All the Time in the World

All the Time in the World (still), 2005

2005
04:40
SD single channel / surround sound
A Semiconductor work by Ruth Jarman and Joe Gerhardt.

Presented as a fictional documentary, All the Time in The World sees the millions of years that have shaped and formed the land, played out at the speed of sound.
Semiconductor have reanimated Northumbria ‘s epic landscape using data recordings from the archives at the British Geological Survey in Edinburgh . This data of local and distant seismic disturbances has been converted to sound and used to sculpt and bring to life the constantly shifting geography around us.
We follow the motion of the sound as it travels from the coast at Cocklawburn to the hills of The Cheviots, transforming the land. We travel to Abb’s Head and witness Earth Lights, made visible by the seismic sounds. These phenomena are said to be the result of tectonic movement in the strata below us. Flashes of light and electricity are produced as movement squeezes mineral crystals together, displaying luminous objects whose motion coincides with the direction of ruptures within the earth.

Filmed and animated between October and March 2005 during a fellowship at Berwick Gymnasium Art Gallery, Berwick-Upon-Tweed, UK. Supported by English Heritage and Arts Council England North East

Mini-Epoch Series

Mini-Epoch Series (still), 2003

2003
x5 01:00 minute works
SD installation
A Semiconductor work by Ruth Jarman and Joe Gerhardt.

The Mini-Epoch Series is found animations of urban planning during the next 2000 years. Landscaping of cities yet to be conceived.

Site specific installation at Palazzo Zenobio, Venice Biennale 2003.
Each of the scenes were installed on 7″ widescreen LCD screens.
Semiconductor worked with Richard Wentworth in a protégé/mentor relationship and both installed art works for ‘Absolut Generations’ in room six of the Palazzo Zenobio.